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CHALK pairs a broad circular alabaster body with an ornate brass ceiling mount, and the two halves are deliberately mismatched in temperament. The stone is plain and modern; the brasswork above it is detailed and traditional. That tension is what lets the fitting sit comfortably in a period room without looking like a reproduction of something older.
Three angled supports frame the fixture from above and hold it clear of the ceiling plate, so the mount reads as a structure rather than a cover plate hiding a junction box. The underside is layered rather than flat, which adds depth when you look up at it - the view that matters most for a ceiling light in a room with normal ceiling height.
Lit, the alabaster reveals natural variation across its surface and the brass picks up warmth from the light passing over it, so the metal glows rather than sitting dark against the ceiling. Three sizes cover a bedroom through to a larger reception room. Hardwired fitting: installation by a qualified electrician is required, and ceiling fixings should be rated for the stone body's weight.
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The alabaster body is modern and quiet. The brass mount above it is detailed and traditional. The tension between them is the design.
Because it borrows from both eras, CHALK settles into an older room without looking dated and into a new one without looking bare.
The wide stone body spreads light evenly across a ceiling and down into the room. No hot spots and no glare.
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That is exactly what the ornate brass mount is for. It gives the fitting enough traditional detail to sit happily under period cornicing.
It sits close to the ceiling, so it suits standard height rooms as well as taller ones.
Yes, alabaster with its own veining. Lit from within it glows warm rather than looking flat and white.
Living rooms, bedrooms, dining rooms and generous hallways. Anywhere you want one fitting to carry the room.
A dry soft cloth is enough for both the brass and the stone. Skip polishes so the finish stays consistent.